#they knew what they were doing right

[hinamie]

spiraling

[flwrkid14]

Tim Drake Accidentally Takes Over the World (and Didn’t Think to Mention It)

So, Janet somehow spent decades climbing her way into every government worth a damn, ruling the entire world from behind the scenes. And then, because the universe is apparently wild, she left it all to Tim.

Cut to Tim Drake, the brand-new, completely reluctant secret ruler of the entire planet. And he just… never really thought it was worth mentioning?

The Batfam finds out when Bruce stumbles across an encrypted memo traced to a mysterious Gotham office with Tim’s name on it.

Bruce, holding up the memo: “Tim. Want to explain why this document about, oh, international finance reforms is signed with your encryption key?”

Tim, not even looking up from his laptop: “Oh, yeah. That. Janet left me her ‘global influence portfolio’ or whatever. Mostly paperwork.”

The Batfam stares in total shock.

Dick sputters nearly dropping his coffee: "Wait—you’ve been managing world policies?!”

Tim, shrugging, barely paying attention as he emails the president of Germany: “Well, yeah. I figured someone had to keep things running. It's not that big a deal. I mostly just redirect some policies. You know, keep things running smoothly.”

Jason, absolutely cackling: “Are you telling me that little Replacement here is the reason for half the ‘global cooperation’ headlines?”

Tim, scrolling through emails: “They send me reports; I send suggestions. And honestly, they make it way more dramatic than it is. It's not that hard."

Barbara stares at him, half horrified, half impressed. “How did we not notice this?”

Tim blinks. “I mean, it’s not like I was actively hiding it. I assumed you guys knew I was… kind of managing these things?”

Cue utter disbelief.

Stephanie, laughing too hard to breathe: “Tim, do you have world leaders on speed dial?”

Tim, completely unfazed: “Only the important ones. They text, mostly. Oh—by the way, I might’ve influenced a minor arms control thing last week. Don’t worry; it’s all sorted.”

Bruce, looking like he’s two seconds from fainting: “Sorted? Tim, we're talking about you having global authority here. People notice these things."

Tim shrugs again as his phone buzzes with notifications. “Sure, but it’s not like they’re going to do anything too crazy. I just suggest stuff, and they listen. Honestly, it’s like herding really powerful, really overdramatic cats.”

Damian, scandalized: “You mean to tell me, Drake, that you’re manipulating world politics like it’s a game of checkers?”

Tim, still casual: “Manipulating’s a strong word. Like I said, it’s more just nudging things along.” His phone buzzes again. “Oh, hang on. France is panicking about their energy policy again.”

The Batfam tries to process the fact that Tim—Tim, who routinely forgets what day it is—is now, somehow, running the world.

And then his phone buzzes with a message from the UN Security Council.

Tim sighs, glancing down. “Oh, great. Looks like they’re debating nuclear arms again. Be right back.”

Meanwhile, the Batfam is left absolutely speechless, processing the fact that their Tim—scrawny, coffee-fueled Tim—is apparently one of the most powerful people on the planet. And to him its just another tuesday.

[scrambledslut]

i need him in a way that is concerning to feminism

[myoonmii]

I think the downright most horrific and brutal detail in the show is that Kilgharrah actually used Merlin to make sure Arthur's death happened with the pretence of protecting him

[an-internet-introvert]

Countdown to October 19th (13/19)

Basically I'm Gay/Coming Out To You

[fadedkat]

can’t look him in the eye

[haomnyangz]

JI SUNG as KANG YO HAN PARK JINYOUNG as KIM GAON THE DEVIL JUDGE (2021) Director. CHOI JUNG KYU

[victoriously-wicked]

Okay no big deal, Jade and Tori only went and dressed up as LITERAL GELPHIE in the April Fools episode. Totally not a big deal at all . . .

[merrysithmas]

its so funny the krakoa artist took one look at charles xavier and was like ummmm this bitch needs to serve lmao and put him in a skintight catsuit and made him literally sashay around magneto in every panel

[whatudottu]

Hello I put way more effort than I needed to into this, but have it anyway :P

Boniface meets Bonifire, what will they do :P

A version of this page without text because technically this was the first page I drew and put all my effort into that one first lmao-

[galacticlamps]

ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--

But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.

And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.

That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.

Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.

And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"

So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.

Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.

[bride-and-bride]

Saw a neat Fourcheanult post about the ways in which he sucks but tragically I cannot reblog without at least SOME analysis on how the loss of Louisoix would impact his choices and views on his children's actions

[dykedvonte]

I think it says something that you got to see everyone’s dead body and were forced to be a participant to Curly’s torture at the hands of Jimmy but we don’t get to see him dead.

You don’t get to see the satisfaction of seeing the true cause of all the pain everyone went through get a single consequence and it’s so hollow. You don’t get a panning shot of his body, you don’t get splatter to show you it was messy. It just happens and then you’re just left there with all the remnants of what happened and unable to do anything because it’s over. It’s done and you don’t get to do anything about. It’s how Curly feels about what he didn’t do. It’s how you feel as you pilot Jimmy and can do nothing to stop him.

It’s how those affected by people like Jimmy feel after it’s all done. Seen some sort of due process or justice after every painful little thing. It doesn’t feel like enough after every, cause maybe it wasn’t enough. Or rather, it wasn’t done soon enough.

[erinwantstowrite]

While Loki may be up to some shit, I still trust him. Honestly, I'm just a sucker for a Loki with a soft spot for Peter. But also, Peter & Dick made it sound like the only reason Peter was trusting Loki was because he was from Peter's worldline, BUT that's completely dismissing Peter's spidey sense which has declared Loki a friend.

Like, that's important!!!! The sense doesn't just react to who Peter trusts either, bc when he was cautious of the bats his spidey sense still labelled them friends. I'm pretty sure that while Loki is definitely up to something, he doesn't mean Peter any real harm. Especially since the spidey sense only seems to call those who want to help (and probably hold some form of care for) Peter friends. I trust the spidey sense more than anything.

If I'm being honest, whether or not all of what Loki said was true, he does have a big point on that they didn't and don't tell Peter crucial information. I'm a big advocate for actually explaining to kids WHY they should not do something rather than just telling them not to. Like, y'know, Peter's whole misunderstanding with why the avengers don't like Loki.

Keeping Peter in the dark is a terrible idea. Especially since as a super powered, mutant, vigilante he'll need to actually know things. I always like these sort of conflicts in texts, where an adult's wish to keep a kid ignorant for their own good actually endangers them. Like in the Harry Potter books, when Molly tries to keep the kids out of the Order meetings, despite it directly affecting Harry and in conjunction the others. (Harry is kept ignorant of most things in those books and it does NOT help). People should know of threats and dangers to themselves in detail, ESPECIALLY KIDS. Peter deserves to be involved in "adult business" because it directly affects him.

ANYWAY,, thank you for another great chapter!!! I love Loki he's such a little shit and so is Peter. They could be besties.

!!!!! 👀

Loki's definitely up to something, but you're pretty damn closes anon!! Peter hadn't picked up on it but a big part of his trust was that his spider sense hadn't felt a danger around Loki at any point. He's just upset about something. But Loki definitely has his own goals in mind and it might still cause a rift

As for the Avengers (teehee) I feel bad because they were definitely supposed to talk about it this chapter but I didn't have room. There's a lot in play about the adults wanting to keep Peter safe but misinterpreting 'safe' as not knowing the larger details about what they're doing. It's the root cause of the problem here. However in their defense... Peter got kidnapped and experimented on last time when he learned a big detail like that. He found out someone he cared about died as a result of these kidnappings, and he went looking for them on his own before he was ready. Peter will talk about this in chapter 17 when he tells Dick pretty much his entire life story (in a game of 21 questions again). It'll also be clear to the reader why they'd be nervous about letting Peter know about Loki... He lost his first foster family to the Battle of Manhattan. And Peter has a habit of going "punch first, figure out later." (Pulled that habit directly from the comics)

[lunarharp]

played dragon age 2...just simple scribbles

[naamahdarling]

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